Showing posts with label New Yorker. Show all posts
Showing posts with label New Yorker. Show all posts

Tuesday, July 15, 2008

Too Black, Too Strong

Okay, I'll admit it, I first heard about the Obama cartoon through the radio. I used to subscribe to the New Yorker. Every weekend I would carry my copy with me everywhere I went. I would hold my copy just high enough so that the title was clearly visible while not obscuring my face. There I sat in the Wal-Mart parking lot, waiting for the wife to finish her shopping.
It was that same wife who brought me to my senses one day. Her bladder was full and she needed some reading material to get the pipes flowing.
"I thought you didn't read the New Yorker." I said in a snide voice clearly illustrating to all in range that I was the better person for being a reader of said magazine.
"I don't" She replied, "but it's perfect for reading on the toilet."
that was when the damask fell from my eyes. The edifice I had built in my head crumbled to rubble, I became aware for the first time of the sycophantic celebrity billionaire profiles, the so far behind the bleeding edge music coverage and Talk of the Town? Why should I care what that town is talking about? I live in Rockford, Illinois and sometimes I shop at Wal-Mart. There, I said it. Oh God, I feel so much better now, like an elephant has just stepped off my testicles.
Don't get me wrong folks, I still read Anthony Lane's movie reviews, Peter Schjeldahl's art columns and how could I turn my back on a mag that has both Spiegelman and Crumb scribbling in the margins. It's just that now I know that I am the scruffy bum standing outside the window of the shiny restaurant while well dressed couples make well phrased comments at my expense.
Despite all that, I had to see this cartoon that has caused such an uproar. You can see it above. From a magazine whose staff and readership are almost entirely white and upper middle class this is a bold statement. I have read around five years of this mag's recent publishing and this is the first black guy or girl I have ever seen in a cartoon. They did do a cover featuring a Hassidic Jew and a brown skinned woman kissing back in the nineties but this obama cartoon reminds me of aanother magazine altogether, a magazine that was in the bathroom of many homes in America before it stopped being funny. It was a magazine that often satirized presidential candidates and, unlike the New Yorker, also celebrities. It's mascot, much like Aloysius P. Thunderbum or whatever the top hatted fop is called, is a puzzled slightly sub normal young man named Alfred E. Newman. How sad that the New Yorker, whose previous role was to represent the lifestyle of a cloistered elite should be the magazine which manages to record forever the view from a million trailer park windows. Sadder than that even is that if you leave the isle of Manhattan, past Brooklyn and New Jersey you will find an obese nation who happen to believe that Barack Obama is a "musselman" and you want to know the worst part? I live there too.

Thursday, December 27, 2007

Text in the City and a Sleeping Husky


Above you see another attempt of mine to master the art of digital painting. It seems like it is just as frustrating as regular painting. Yeah, I can erase but the Corel program I use freezes and hiccups sometimes and I can't always get the fine brush strokes that I want. It makes me want to paint in real time just because I can.
Anyhoo, the New Yorker has a pretty good article about the death of books. click below.

Monday, December 3, 2007

Oscar Wow!

Remember the day you picked up The Ice Shirt and the footnotes made an excellent novel even better? Perhaps you first came across them in the work of Borges or, like me, Terry Pratchett. How about the time you read A Heartbreaking Work of Staggering Genius and the best part of the entire book happened before the first paragraph?
The OverDrone salivates over footnotes in fiction, end notes too, and Junot Diaz's novel The Brief Wondrous Life of Oscar Wao is chock full of them.
The story takes place in New Jersey and the Dominican Republic, and while there are pop culture references scattered throughout like medical waste on the Jersey shoreline the footnotes tend toward Dominican history. They act as pauses in the main narrative allowing the reader to take a breath and consider the larger forces at work.
I first read a chapter from the book in the New Yorker, pre-Publication and with an illustration by one of los bros Hernandez. Usually, fiction featured in the New Yorker is tedious and irrelevant, what a refreshing change!
Purchase and Enjoy.
Oscar Wow!